#Gzdoom texture filtering software#

#Gzdoom texture filtering software#

Just like playing pixels without a CRT in 320x200, 256 colors, software renderer. Putting texture flitering on pixel art, its like pizza without cheese, its awful idea. What, do we need Doom modders to tell people to do the same with texture filtering in GZDoom? The motion smoothing feature on new TVs is so dogshit that filmmakers have to make public statements to tell people to turn that shit off. They erase that flicker and use some sort of creepy equation to turn it all into zombie motion.” “But your televisions don’t replace the kind of magic flicker of the movies with something that is necessarily more realistic. “What we’re seeing with motion smoothing is instead of trying to present movies as they were, as they looked naturally, everything is being ported over to these new digital devices, and everything wants the thing that looks best to their eyes on those digital devices,” Debruge says. Motion smoothing doesn’t replace this cinematic language with actual realistic movement, however, instead creating an uncanny valley effect that just degrades the original intent of the filmmaker, and makes the film look cheaper and uglier.

Film, traditionally, used a flicker effect to stimulate motion, and audiences have learned to accept and understand the lower frame rate of film as a part of the cinematic language. What is it about motion smoothing that makes it bad for watching film? According to Variety chief film critic Peter Debruge, the issue is the technology ignores the way that people have been trained to understand how motion works in film. Directors as varied as Rian Johnson, Patty Jenkins, Martin Scorsese, Reed Morano, Karyn Kusama and Paul Thomas Anderson have all publicly expressed hatred of the technology. In 2018, Tom Cruise and “Mission Impossible: Fallout” director Christopher McQuarrie released a public statement asking viewers to turn off the setting while watching their film at home. In practice, the errors and visual artifacts it causes has made it extremely controversial, and many directors, filmmakers and critics have decried it as a technology that ruins film.